Art Surveys, Art History,

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CHINATI: THE VISION OF DONALD JUDD

Written by Stockebrand, Marianne
Newly updated, this beautifully illustrated book documents the creation of the Chinati Foundation as well as its permanent installations.
April 21, 2020 | Hardcover | Yale University Press | 352 Pages |
$75.00
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VIDA AMERICANA: MEXICAN MURALISTS REMAKE AMERICAN ART, 1925-1945

Written by Haskell, Barbara
An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change
March 10, 2020 | Hardcover | Yale University Press | 264 Pages |
$65.00
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SAHEL: ART AND EMPIRES ON THE SHORES OF THE SAHARA

Written by Lagamma, Alisa
A comprehensive exploration, spanning 1,300 years, of the art and culture of the Sahel region of Africa
February 18, 2020 | Hardcover | Metropolitan Museum of Art New York | 304 Pages |
$65.00
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IN THE MEANTIME: SPECULATIONS ON ART, CURATING, AND EXHIBITIONS

Written by Hoffmann, Jens
Writings by exhibition maker and writer Jens Hoffmann, charting a highly unique curatorial trajectory.
March 17, 2020 | Paperback | Sternberg Press |
$26.00
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SCIENCE FICTION

The first major anthology to focus on relationships between science fiction and contemporary art, with topics ranging from accelerating technological change to global urbanization.Over the past two decades, artists and writers have increasingly used science fiction as a lens through which to search for fragments of truth emerging from the past or the future.
March 3, 2020 | Paperback | MIT Press | 240 Pages |
$24.95
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WRITTEN MATTER

Written by Orozco, Gabriel
Selections from Gabriel Orozco's notebooks: sketches, photographs, and texts that offer a rare look inside his art-making process.Written Matter presents selections from the notebooks of the prolific and celebrated artist Gabriel Orozco.
April 21, 2020 | Paperback | MIT Press | 384 Pages |
$39.95
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BLACK ART RENAISSANCE: AFRICAN SCULPTURE AND MODERNISM ACROSS CONTINENTS

Written by Cohen, Joshua I
Reading African art's impact on modernism as an international phenomenon, The "Black Art" Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists.
August 4, 2020 | Hardcover | University of California Press | 304 Pages |
$65.00
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GATECRASHERS: THE RISE OF THE SELF-TAUGHT ARTIST IN AMERICA

Written by Jentleson, Katherine
After World War I, artists without formal training "crashed the gates" of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson "Grandma" Moses.
April 7, 2020 | Hardcover | University of California Press | 264 Pages |
$50.00
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PASSION RELICS AND THE MEDIEVAL IMAGINATION: ART, ARCHITECTURE, AND SOCIETY

Written by Hahn, Cynthia
Although objects associated with the Passion and suffering of Christ are among the most important and sacred relics venerated by the Catholic Church, this is the first study that considers how they were presented to the faithful.
January 7, 2020 | Hardcover | University of California Press | 176 Pages |
$49.95
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MARKING TIME: ART IN THE AGE OF MASS INCARCERATION

Written by Fleetwood, Nicole R
A powerful document of the inner lives and creative visions of men and women rendered invisible by America's prison system.
April 28, 2020 | Hardcover | Harvard University Press | 352 Pages |
$39.95

New Arrivals

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