Art
GERHARD RICHTER: PAINTING AFTER ALL
Written by Buchloh, Benjamin H D
A lavishly illustrated monograph that spans the entire career of one of the most celebrated contemporary artists
THINK OF THEM AS SPACES: BRICE MARDEN'S DRAWINGS
Written by Montana, Kelly
An exploration of Brice Marden's draftsmanship and the catalytic role the medium of drawing plays in his larger oeuvre
HORACE PIPPIN, AMERICAN MODERN
Written by Monahan, Anne
A nuanced reassessment that transforms our understanding of this self-taught artist
VIDA AMERICANA: MEXICAN MURALISTS REMAKE AMERICAN ART, 1925-1945
Written by Haskell, Barbara
An in-depth look at the transformative influence of Mexican artists on their U.S. counterparts during a period of social change
SAHEL: ART AND EMPIRES ON THE SHORES OF THE SAHARA
Written by Lagamma, Alisa
A comprehensive exploration, spanning 1,300 years, of the art and culture of the Sahel region of Africa
IN THE MEANTIME: SPECULATIONS ON ART, CURATING, AND EXHIBITIONS
Written by Hoffmann, Jens
Writings by exhibition maker and writer Jens Hoffmann, charting a highly unique curatorial trajectory.
SCIENCE FICTION
The first major anthology to focus on relationships between science fiction and contemporary art, with topics ranging from accelerating technological change to global urbanization.
WRITTEN MATTER
Written by Orozco, Gabriel
Selections from Gabriel Orozco's notebooks: sketches, photographs, and texts that offer a rare look inside his art-making process.
BLACK ART RENAISSANCE: AFRICAN SCULPTURE AND MODERNISM ACROSS CONTINENTS
Written by Cohen, Joshua I
Reading African art's impact on modernism as an international phenomenon, The "Black Art" Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists.
GATECRASHERS: THE RISE OF THE SELF-TAUGHT ARTIST IN AMERICA
Written by Jentleson, Katherine
After World War I, artists without formal training "crashed the gates" of major museums in the United States, diversifying the art world across lines of race, ethnicity, class, ability, and gender. At the center of this fundamental reevaluation of who could be an artist in America were John Kane, Horace Pippin, and Anna Mary Robertson "Grandma" Moses.
New Arrivals
