Mean Boys by Geoffrey Mak and Dancing on My Own by Simon Wu

For readers of Monsters and Gay Bar, a ferocious inquiry into art and desire, style and politics, madness and salvation, and coming of age in our volatile, image-obsessed present.

You know them when you see them: mean boys take up space, wielding cruelty to claim their place in the pecking order. Some mean boys make art or music or fashion; others make memes. Mean boys stomp the runways in Milan and Paris; mean boys marched at Charlottesville. And in the eyes of critic and style expert Geoffrey Mak, mean boys are the emblem of our society: an era ravenous for novelty, always thirsting for the next edgy thing, even at our peril.

In this pyrotechnic memoir-in-essays, Mak ranges widely over our landscape of paranoia, crisis, and frenetic, clickable consumption. He grants readers an inside pass to the spaces where culture was made and unmade over the past decade, from the antiseptic glare of white-walled galleries to the darkest corners of Berlin techno clubs. As the gay son of an evangelical minister, Mak fled to those spaces, hoping to join a global, influential elite. But when calamity struck, it forced Mak to confront the costs of mistaking status for belonging. Fusing personal essay and cultural critique, Mean Boys investigates exile and return, transgression and forgiveness, and the value of faith, empathy, and friendship in a world designed to make us want what is bad for us.

A The Millions Most Anticipated Book of 2024 A Publishers Weekly Summer Reads Pick

"Simon Wu manages to be both a shrewd critic and enthused aspirant of what passes for today's cultural capital. . . . with a disarming lack of cynicism that is both keen and refreshing." -Cathy Park Hong

"A genius melding of art criticism, autobiography, personal essay, and travel writing. . . . Wu--an artist, curator, and writer--layers experiences like translucent curtains through which we see the landscape of a past in the present making its future." -Claudia Rankine

An expansive and deeply personal essay collection which explores the aesthetics of class aspiration, the complications of creating art and fashion, and the limits of identity politics.

In Robyn's 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy.

Taking inspiration from Robyn's seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays. In "A Model Childhood" he catalogs the decades' worth of clutter in his mother's suburban garage and its meaning for himself and his family. In "For Everyone," Wu explores the complicated sensation of the Telfar bag (often referred to as "the Brooklyn Birkin") and asks whether fashion can truly be revolutionary in a capitalist system--if something can truly be "for everyone" without undercutting someone else. Throughout, Wu centers the sticky vulnerability of living in a body in a world where history is mapped into every choice we make, every party drug we take, and every person we kiss.

Wu's message is that to dance on your own is to move from critique into joy. To approach identity with the utmost sympathy for the kinds of belonging it might promise, and to look beyond it. For readers of Cathy Park Hong and Alexander Chee, Dancing on My Own is a deeply felt and ultimately triumphant anthem about the never-ending journey of discovering oneself, and introduces a brilliant new writer on the rise.