Signed & Limited Editions

From the iconic stylist and fashion provocateur whose designs transformed culture--bringing the glitz of Studio 54 and the sophistication of Sex and the City to the mainstream--comes a playful yet intimate memoir of a life spent challenging conventions.

Carrie Bradshaw's pairing of a tutu with a tank top is one of the most iconic outfits ever seen on television--and a look that turned avant-garde New York designer and stylist Patricia Field into a household name. But before she was crowned the fairy godmother of haute couture, Field was the owner of the longtime East Village emporium Pat Field, a haven for drag queens, club kids, starving artists, NYU freshmen, and creative visionaries alike. Presiding over downtown with her distinctive vermillion hair and a constantly lit cigarette, Patricia was a rock 'n' roll den mother to everyone from Amanda Lepore to Lady Bunny to Patti Smith, with her store providing the city's eccentrics with a place to discover a sense of family, home, and a rhinestone bedazzled bustier or two.

In Pat in the City, Patricia describes her journey from scrappy Queens kid peddling men's pants to the fashion world's most notorious renegade. As the daughter of immigrant parents, Field learned the principles of glamour from her entrepreneurial mother, and applied her NYU lessons on democracy to inform a fashion ethos that would reach millions. From her Studio 54 disco-glam styling to her award-winning work in The Devil Wears Prada and Sex and the City to today's buzzy costuming in Emily in Paris, Field's inimitable styling has pushed the envelope and created trends that have become the culture standard. Now in her seventies, Patricia Field is ready to tell her story--not to take a final bow, but to spread her credo of challenging convention and filling the world with joy and dancing.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway?

Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened to many artforms often ignored or dismissed. From the Cornish coast to Manhattan, Nigeria to Japan, this is the history of art as it's never been told before.

Reflective and expansive, Mirror in the Sky situates Stevie Nicks as one of the finest songwriters of the twentieth century.

This biography from distinguished music historian Simon Morrison examines Nicks as a singer and songwriter before and beyond her career with Fleetwood Mac, from the Arizona landscape of her childhood to the strobe-lit Night of 1000 Stevies celebrations.

The book uniquely:

• Analyzes Nicks's craft--the grain of her voice, the poetry of her lyrics, the melodic and harmonic syntax of her songs.
• Identifies the American folk and country influences on her musical imagination that place her within a distinctly American tradition of women songwriters.
• Draws from oral histories and surprising archival discoveries to connect Nicks's story to those of California's above- and underground music industries, innovations in recording technology, and gendered restrictions.

In the first twenty years of the twenty-first century, New York City has been convulsed by terrorist attack, blackout, hurricane, recession, social injustice, and pandemic. New Yorkers weaves the voices of some of the city's best talkers into an indelible portrait of New York in our time--and a powerful hymn to the vitality and resilience of its people.

Best-selling author Craig Taylor has been hailed as "a peerless journalist and a beautiful craftsman" (David Rakoff), acclaimed for the way he "fuses the mundane truth of conversation with the higher truth of art" (Michel Faber). In the wake of his celebrated book Londoners, Taylor moved to New York and spent years meeting regularly with hundreds of New Yorkers as diverse as the city itself. New Yorkers features 75 of the most remarkable of them, their fascinating true tales arranged in thematic sections that follow Taylor's growing engagement with the city.

Here are the uncelebrated people who propel New York each day--bodega cashier, hospital nurse, elevator repairman, emergency dispatcher. Here are those who wire the lights at the top of the Empire State Building, clean the windows of Rockefeller Center, and keep the subway running. Here are people whose experiences reflect the city's fractured realities: the mother of a Latino teenager jailed at Rikers, a BLM activist in the wake of police shootings. And here are those who capture the ineffable feeling of New York, such as a balloon handler in the Macy's Thanksgiving Day Parade or a security guard at the Statue of Liberty.

Vibrant and bursting with life, New Yorkers explores the nonstop hustle to make it; the pressures on new immigrants, people of color, and the poor; the constant battle between loving the city and wanting to leave it; and the question of who gets to be considered a New Yorker. It captures the strength of an irrepressible city that--no matter what it goes through--dares call itself the greatest in the world.

Sam Moyer has developed a distinctive language of abstraction, creating paintings, structures, and sculptural objects that draw inspiration from architectural space and natural materials. Recognized for a diverse practice in which she unites found textures and objects in innovative ways, Moyer crafts compelling hybrids, often combining hand-painted fabrics with repurposed marble, slate, and stone that carry textural imperfections reflecting industrial design processes. Her practice has evolved from its more conceptual and process-based origins to address formal and theoretical issues regarding the construct of painting. In all her productions, issues of scale and space remain critical. Moyer is particularly interested in the way architecture functions in tandem with her objects to create dynamic visual experiences.

In this volume, the artist's first monograph, curators Renaud Proch and Scout Hutchinson contribute the first extended critical essay on the artist's art and career, identifying key works and exhibitions of the last ten years and detailing her artistic trajectory. Artist and writer Ross Simonini, who has known Moyer for a decade, contributes an in-depth interview with the artist, and noted novelist Kaitlyn Greenidge offers a poetic reading of Moyer's artwork.

Wryly written by critically acclaimed rapper billy woods and sublimely illustrated by artist m. musgrove, A is for Anarchist upends the traditional ABC format with earnestness that belies its irreverence. Anarchist takes modest ideas, like E is for Energy and G is for Ghosts, and flips them into incisive commentary on modern life and the state of the world. Also, it has to be the only alphabet book with annotated footnotes and a Nas reference.